Normal writer’s thought process:
Let me have these characters get romantically entangled, then have the audience connect and fall in love with them, then dramatically kill one off, in order to show symbolism of appreciating what you have while you have it. That’ll shock and tease them, and maybe cause some depression.
Eric Kripke’s thought process:
Let me have these characters get romantically entangled, then have the audience connect and fall in love with them, then dramatically kill one off, in order to show symbolism of fuck you. That’s what. Then I’ll bring them back and have the audience think it’s going to last and that I have finally given them a break. Then BAM! I’ll kill that fucker with a semi. That’ll shock and tease them, and maybe cause some murders.
(Source: agent-bartowski)


